Experienced across every major vertical in the music industry — royalties, publishing, touring, management, and international markets.
I've spent two decades entirely behind the scenes — in royalty administration, label business affairs, independent consulting, catalog finance, and royalty advance origination. I'm the person in the room that never appears in the press release, but gets the call when artist money is on the line.
My work spans the full lifecycle of artist revenue: from mechanical royalty reconciliation and audit response to 360-deal structuring, touring finance, and catalog-backed advance underwriting. I built musicnurds because I believe artists deserve independent guidance rooted in real finance experience — not relationships dressed up as expertise. Every engagement starts with the numbers and ends with an outcome that actually serves the artist.
I've spent twenty-three years at the crossroads of music publishing and the concert business — and I've never believed those two worlds should stay separate. The song and the stage are part of the same economic engine, and understanding how they connect is the foundation of how I work.
From licensing and rights administration to leading live event strategy and overseeing publishing acquisitions across some of the most respected organizations in the industry, I've built every relationship this business runs on. At musicnurds, I bring those relationships and that institutional knowledge to every transaction we touch. I built this company because I've seen what happens when artists walk into major deals without someone in their corner who knows where the money actually goes.